ANALOG PROCESSING

 

There have been a significant number of analog mastering processors in the studio from the day one to nowadays, such as:

 

SPL PQ Mastering Equalizer - (120V DC Audio Rail)                                                          Sontec MEP 250 EX (Two Channels Parametric EQ)
HDE 250-A (Hi Definition Equalizer by Custom Audio Germany)                                  Weiss DS1-mk3 (Compressor, Limiter, De-esser)

Gyraf Audio Gyratec G14 - (Parallel Passive Tube EQ)                                                     API 2500 (Stereo Bus Compressor)
Maselec MLA 3 (Stereo Triband Compressor)                                                                      Elysia XFilter (Class-A Stereo Equalizer)

Foote Control Systems P3S - (VCA Stereo Compressor)                                                 BFE Filtek (Vintage EQ)
Thermionic Culture PHOENIX / M version​ - (Tube Vari Mu Compressor)​                  Kahayan Solid 4000 Stereo Mix Buss (SSL 4000  sound inside)

Dangerous M. BAX EQ - (Baxandall Curves type EQ)                                                       Millennia TCL-2 (Twincom Topology Opto Compressor/Limiter)

Dangerous M. Compressor (Dual Channel Audiophile Grade VCA Compressor)

 

They all are absolutely great pieces of hardware, but now I'm keeping only the ones I use the most on a daily basis, combining them with many other great digital tools, which allows me to simplify maintenance costs or recalls being able to focus even more on the things that really matter to me, offering the best sound and service for you at the fairest price for both.